Embodied Encounters

What is the role of the unconscious in our visceral approaches to cinema? Embodied Encounters offers a unique collection of essays written by leading thinkers and writers in film studies, with a guiding principle that embodied and material existence can, and perhaps ought to, also allow for the unconscious. The contributors embrace work which has brought 'the body' back into film theory and question why psychoanalysis has been excluded from more recent interrogations. The chapters included here engage with Jung and Freud, Lacan and Bion, and Klein and Winnicott in their interrogations of contemporary cinema and the moving image. In three parts the book presents examinations of both classic and contemporary films including Black Swan, Zero Dark Thirty and The Dybbuk: Part 1 - The Desire, the Body and the Unconscious Part 2 - Psychoanalytical Theories and the Cinema Part 3 - Reflections and Destructions, Mirrors and Transgressions Embodied Encounters is an eclectic volume which presents in one book the voices of those who work with different psychoanalytical paradigms.It will be essential reading for psychoanalysts and psychotherapists, scholars and students of film and culture studies and film makers.

Agnieszka Piotrowska is an internationally recognized award-winning theorist and film maker, best known for her documentary Married to the Eiffel Tower. She is a Reader in Film Theory and Practice at the University of Bedfordshire, UK and is the author of Psychoanalysis and Ethics in Documentary Film (Routledge, 2014).

'Embodied Encounters represents a landmark moment in the intersection of psychoanalysis and film studies. It is filled with unforgettable essays that will define how we think of the possibilities inherent in this intersection. Though film theorists have often thought of the cinema in terms of psychoanalysis or the body, they have never brought these concerns together in the way that this volume edited by Agnieszka Piotrowska does. Reading this book is requisite for anyone who wants to understand the body when it meets the screen.' - Todd McGowan, University of Vermont, USA 'Agnieszka Piotrowska's Embodied Encounters contains an extraordinarily rich and exciting collection of essays on the body, contemporary cinema and psychoanalysis that decisively advances film theory from the paradigm established by Screen and Slavoj Zizek. It does this by attending closely to Jacques Lacan's late seminars stressing the 'sinthome' that marries the body to the unconscious, and by situating Lacan in the context of a broader p